"The lines are fallen unto me in pleasant places; Yea, I have a goodly heritage." - Psalm 16:6 KJV
Still me
- Eleanor
- Bits and bobs about my life in my lovely home, Thatchwick Cottage, Pretoria, South Africa.
Monday, May 24, 2010
Monday, 24 May 2010: Seraphine de Senlis
Sunday, May 23, 2010
23 May 2010, Sunday: Falling in love with Jethro
Tuesday, May 18, 2010
Tuesday, 18 May 2010: 'Olive Kitteridge'
Saturday, May 15, 2010
Saturday, 15 May, 2010: Time enough to smell the aloes?
Maybe when I retire. My thoughts turn periodically to this matter. Certainly I do not want to wish my life away. I have always been of the opinion that work is salutary for body and soul and have thrown myself into my job with enthused dedication for the past thirty years. Yet these days the notion of freedom from deadlines and quotas is increasingly seductive.
But again the experts caution that this blissful state of Doing What One pleases only lasts for the first year of retirement – the Honeymoon Phase. Followed by Disenchantment and Reorientation. Daunting prospects. Maybe I must just quit complaining and stay at my desk as long as I can.
Wednesday, May 12, 2010
Thursday, 13 May 2010: Mother and Child
‘Mother and child’ should perhaps have been titled ‘Mother and daughter’. The movie newly released in my part of suburbia to coincide with Mother’s Day focuses on mother and daughter relationships within the context of adoption. The structure of the movie is ambitious – three complex stories which play out over more two years in the lives of three main characters. Annette Bennnng gives a professional performance as the middle-aged woman haunted by her experience of having given up her baby daughter for adoption when she was only fourteen. But her transformation from bitter, emotionally isolated and dowdy to nice, attractive and happily married in the space of a year was a little unconvincing. Naomi Watts portrays the daughter, thirty seven years later, as a gorgeous, promiscuous and emotionally stunted woman who also undergoes a transformation to pregnant and vulnerable. Like a Shakespearean tragic heroine, she dies, conveniently in my view, to allow the director to tie up the loose ends of her and her mother’s stories without the angst of a reunion between two troubled women. The third story is predictable so I leave that without comment except to say that it flows into the events of the other two tales. Personally I prefer the quirky realism of Pedro Almodovar’s Mother’s Day movie – All about my mother (1999). But that must wait for another blog.